By Shuqiang Jiang, Tiejun Huang (auth.), Kiyoharu Aizawa, Yuichi Nakamura, Shin’ichi Satoh (eds.)
Welcome to the complaints of the fifth Paci?c Rim convention on Multimedia (PCM 2004) held in Tokyo Waterfront urban, Japan, November 30–December three, 2004. Following the luck of the previous meetings, PCM 2000 in Sydney, PCM 2001 in Beijing, PCM 2002 in Hsinchu, and PCM 2003 in Singapore, the ?fth PCM introduced jointly the researchers, builders, practitioners, and educators within the ?eld of multimedia. Theoretical breakthroughs and functional structures have been provided at this convention, because of the aid of the IEEE Circuits and platforms Society, IEEE sector 10 and IEEE Japan Council, ACM SIGMM, IEICE and ITE. PCM2004featuredacomprehensiveprogramincludingkeynotetalks,regular paperpresentations,posters,demos,andspecialsessions.Wereceived385papers andthenumberofsubmissionswasthelargestamongrecentPCMs.Amongsuch numerous submissions, we approved in simple terms ninety four oral displays and 176 poster displays. Seven exact periods have been additionally geared up through world-leading researchers. We kindly recognize the nice help supplied within the reviewing of submissions by way of this system committee participants, in addition to the extra reviewers who generously gave their time. the various beneficial reviews supplied through the reviewing procedure should have been very beneficial for the authors’ paintings. Thisconferencewouldneverhavehappenedwithoutthehelpofmanypeople. We tremendously have fun with the aid of our robust organizing committee chairs and advisory chairs. one of the chairs, certain thank you visit Dr. Ichiro Ide and Dr. Takeshi Naemura who easily dealt with book of the complaints with Springer. Dr. Kazuya Kodama did a superb task as our net master.
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Effective indexing, browsing and retrieving art images are important problems need to be addressed not only for computer scientists and art communities but also for common art fanners. Guohua dates back to the Neolithic Age, some 6,000 years ago. As an important part of the East Asian cultural heritage, it is highly regarded for its theory, expression, and techniques throughout the world. Guohua is generally classified into two styles: Xieyi (freehand strokes) and Gongbi (“skilled brush”). The Xieyi School is marked by exaggerated forms and freehand brush work.